So, if you end up cutting a single recording up into 20 different clips dispersed throughout your timeline, you only need to run it once and they’ll all update together. You can also apply this to an entire file. You have access to all of the changes the feature has applied in the Lumetri panel and you’re still able to manually tweak and override them after it’s done its thing. And this isnt’ like “Auto Color” in Photoshop where it just changes everything but doesn’t tell you what it’s done. It uses the standard Lumetri panel and the settings it applies are reflected in the sliders. Auto Color applies “intelligent” adjustments to your scene in order to help you create a more accurate starting point for your secondary colour correction. Premiere Pro also sees a new Adobe Sensei-powered Auto Color feature to help you speed up your first-pass colour correction. When using the Scene Edit Detection feature, you can choose to either simply create layer markers along your timeline or you can actually split the video up until multiple layers on each edit, allowing you to quickly and easily access each of them individually.Īnd for those who often work in 3D, you now finally have the ability to extend the view of your scene beyond the viewport, similar to how most regular 3D applications work.Īdobe Premiere Pro also sees some new updates, with a new Pro Import mode, a new header bar for easier navigation (especially for newer users), a new export mode that lets you optimise and post directly to platforms like YouTube, Twitter and Facebook. This feature’s been in Premiere Pro for a while now (and other editing suites, such as DaVinci Resolve), but its addition to After Effects is going to make the lives of motion graphics designers much easier. Adobe After Effects for all platforms also includes a new Scene Edit Detection feature, powered by Adobe Sensei, which identifies cut points in rendered sequences.
But M1 support isn’t the only new addition to Adobe After Effects today.
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